The Players
Kathryn Joseph
Siren
Kathryn Joseph is not a witch. She told me so. She may hold you spellbound and enraptured as she sings; you might believe that her voice is channelled from another plane and that all the voices of all the lives she has lived across millenia are speaking directly to you. After a few minutes (of course, you no longer have any sense of time) you may realise that you are ready to believe anything she sings as an irrefutable truth, truer than anything you have ever heard before. But Kathryn is not a witch. She told me so.
Ashley Smith
Dorothy Smallbones
Hovering above the floor, Ashley listens: a spider breathes quietly beside her; the wallpaper pattern slowly shifts and shimmers.
I worry sometimes that Ashley got trapped in the computer during the recording, but I saw her in the summer and she seemed fine. I can still hear her little voice in my headphones.
Shhh..come out, Ashley.
Shuna Scott Sendall
Mama Smallbones & cave chorus
Storms ravage continents, oceans rise and glaciers melt. Fear not! It is only the elemental voice of Shuna Sendall. Astride a mighty stag, her call echoes through corrie, loch, and glen. Mountains flood in rivers of joy and storms subside as her song resonates across the cosmos, tempering the music of the spheres, bringing harmony to the universe.
Lee Allatson
Drums set, kazoo & triangle
Professional iconoclast, lean and angular, inventor of the Mudman, band leader, warrior poet, caveman philosopher, Lee knows full well - if you have your brush you can avoid the rush. Through many years of musical adventuring in the band Misterlee (with Mick Oxtoby who isn’t on this record but by rights, should be), Lee is the closest thing to a musical twin I have. I never properly scored the drum parts and yet they are precisely as I imagined them. Is that weird? No.
Seonaid Aitken
Violin (left ear)
From Fife via outer space, the Scottish queen of hotclub violin. I didn’t even know she was coming until the day before the session, or I would have asked her to have a squeaky freakout in the free jazz sections. As it was, we had a lovely time talking about Synesthesia, playing on cruise ships and I admired her massive vibrato. Pure awesome.
Su-a Lee
'Cello (right eyebrow)
Enough has probably already been written in praise of the mercurial Su-a Lee, but the following poem came to mind, so here it is…
Scotland’s Cellist, Su-a Lee:
She’s on your records and on the telly.
She’ll mess with your Ragu and dress vibrantly
She knows all the notes, from A to G (sharp)
And plays them better than You and Me.
Tim Ingram
Joseph Snorquel
Born thirsty, and seeking refuge from the burden of solvency, Tim succumbed to a life of Physical Theatre, a squalid profession that has led to mental decline and moral depravity. Yet through the bloodshot eyes an occasional spark splutters into life, brilliant and blinding, then gone: each idea, a lonely miner carving an endless tunnel into an oil black mountain of shit, occasionally excavating an exquisite diamond that no one will ever see… but beautiful, oh so beautiful.
Fedor Bunge
Ferneyclough
Up in the woods, just below the Fairy bridge, near the waterfall, Fedor is playing his trumpet. He isn’t always in tune, but it doesn't matter; it’s such a joyful sound in such an unexpected place. Fedor was my neighbour for years and I wrote the part of Ferneyclough because I love his voice and wanted to work with it. Sometimes art isn't that complicated.
Mr McFall’s Chamber
String bothering omni-band
This shapeshifting special ops unit play everything from The Pops to Grindcore Squeaky Gate Music. I approached them thinking they would say no, then wrote parts for them I thought they wouldn't want to play. Effortless and fun to be around, I think I’m a better musician just from having lunch with them. They were augmented on this occasion by Seonaid Aitken (valiantly suppressing the urge to Jazz all over everything).
Robert McFall
Violin (left eyebrow)
The midfield general, quietly controlling the play, making sure the whole team maintains shape, blah blah. One of the most knowledgeable and experienced heads in any room, Robert will patiently listen to your ideas, then do it better and you'll be glad of it.
I've yet to find out what goes in Robert's chamber, but I' bet there's a video of it out there somewhere.
5E8-.DAu6S?#QSs
Dramatis personae
SIREN
the Listener and host in the Cave of Voices
Kathryn Joseph
JOSEPH SNORQUEL
visionary aqua mentalist, latterly resident of the Asylum; research assistant to PROF. WOLFF
Tim Ingram
DOROTHY SMALLBONES
sister of CHARLOTTE, involuntary clairaudient
Ashley Smith
FERNEYCLOUGH
Organist and mole catcher
Fedor Bunge
MAMA SMALLBONES
a vast and retired cook, widower and mother to DOROTHY and CHARLOTTE
Shuna Scott Sendall
SAILOR
lover of CHARLOTTE
Jamie Smith
PROFESSOR WOLFF
renowned sound collector, ‘pataphysician and director of The Institute; co-inventor of the Chunderbuss (with JOSEPH SNORQUEL) and the Retr-o-phone
Jamie Smith
MARCONI
Italian pioneer of radio telegraphy, founder of The Institute
Jamie Smith
SHOUTY VOICEOVER MAN
a man that shouts voiceovers
Jamie Smith
THE MUDMEN
residents of the village
Jamie Smith
CAPTAIN TOMALLEY
father of SAILOR and ill-fated skipper of the 'Midnight Mallard'
Jamie Smith
FLATULENT MUDMEN
residents of the village, struck down by the Chunderbuss
Molly Smith
ANIMALS IN THE DARK
in the dark, some animals
Molly & Charlotte Smith
BIRDWHISTLE
Gamekeeper and boyfriend to DOROTHY
anon.
TWO GENTLEMEN
Musical occultists and graverobbers
Themselves
The Band
Electric and acoustic guitars, mandolin, electric bass, percussion, autoharp, bullroarer, tuning forks, piano frame, wine glasses, bone xylophone, theremin, hammond organ, kazoo, scratchy violin, long bent thing with a sort of lump on the end, no input electronics, piano, field recordings, the other sounds.
Jamie Smith
Violin
Seonaid Aitken
Violin
Robert McFall
Viola
Brian Schiele
'cello
Su-a Lee
Drums set, triangle, kazoo
Lee Allatson
Cave chorus
Shuna Scott Sendall, Jamie Smith, the occulting orchestra & chorus of St. Mary’s & St. Vitus
Dotty's footsteps
Charlotte Smith
Dancers
Sally Doughty and Kerry Francksen
Secret soprano saxophone
Bruce Coates
Secret viola
Zo Sosinka
I am also enormously grateful to the excellent field recordists who make their work available through Creative Commons licenses and have used excerpts of the following:
Brighton Sea, Sailing by 1 & 2, Wind in rigging; Ambisonia.com
John Leonard
Sotra Soundscapes; Freesound.org
Trond Lossius
UC-Irvine 2016 Beach Field recordings; Freesound.org
Vincent Olivieri
Many thanks to Creative Scotland for their financial assistance (and patience) during the making of this work.
Words by
Jamie Smith
Music by
Jamie Smith
Except ‘The Guest’ and ‘I wish I had a Fish’
Music by Franz Schubert, arranged by Jamie Smith
Recorded and mixed by
Jamie Smith at St. Mary's Space, Argyll, Scotland
Mastered by
Jason Mitchell at Loud mastering, Taunton, England
Artwork by
Charlotte Smith
Photography by
Charlotte Smith
Photo editing by
Charlotte Smith and Elisabeth Mochner
Book layout and design by
Charlotte Smith
Produced by
Jamie Smith
Additional thanks go to the following people who have helped enormously by lending me their wisdom, studio gear, an ear or, most importantly, just letting me get on with it. Without their help it would have taken even longer.
R.P., James Gray, David Meldrum, Lee Allatson, Jason Mitchell, Don Mitchell, Joseph Anderson, Wiz Wharton, Cori Princell, Alan Macdonald, Mum Smith, Mrs. H, SaRoy, St. Charlotte and the oxters of Molly.